11/24/2023 0 Comments Reamp hp![]() Next to that is a mono 1/8-inch jack TS SYNTH INPUT, designed to handle the hotter levels that modular synths put out. On the rear of the unit is a second instrument TS input, which is interrupted if you plug into the instrument input jack on the front (handy if the unit is racked up, which is accommodated via the included rack ears – you can even put two HDIs side-by-side in a single two rack space unit). ![]() The controls on the front panel include a HI Z switch for changing the input impedance from 200 ohms to 2 megaohms, a LEVEL potentiometer, a switch for turning on the OPTO compressor, a COLOR potentiometer, a high-pass filter switch for engaging a 6 dB/octave low cut at either 100 Hz or 40 Hz, a PRESENCE potentiometer, and a LIFT switch for reducing potential ground loop hum. This may only stump you the first few times you use the HDI (assuming you are a human who learns from experience), but it certainly warrants a ding for lack of clarity/intuitiveness and was reinforced as the only complaint from fellow engineer Phil Weinrobe during his recent week-long session at Spillway Sound – his experience with the HDI was otherwise extremely positive. ![]() Also, unlike many other DIs, the input and through jacks are not interchangeable. Starting at the 1/4-inch TS instrument input jack on the face of the unit, you’ll get my only serious quibble with the HDI: The input jack is above the through jack, but the mildly cryptic labeling is underneath both (IN/THRU), making where to plug-in confusing at first. It sits on a tabletop nicely but takes up three to four times the space of a normal mono direct box. What we’re talking about here is a half-rack, two rack space high, solid-state direct injection box (with more useful features than I’ve ever seen on a DI) built to Radial’s exacting, indestructible standards. Honestly, the only thing for you to decide is whether or not you have the $800 right now to shell out for a single-channel DI. “Hutch” Hutchison: The reknowned gear designer with tenure at companies such as Manley Labs and Rupert Neve Designs. It most definitely is, which shouldn’t be a surprise to anyone who already uses Radial DIs, nor to anyone familiar with HDI mastermind W.C. See the Review HereĪs gear reviews go, this is a pretty easy one to write, as the issue isn’t whether or not this is an excellent product. Connect a smartphone or tablet to the Reamp HP and create new sounds by combining a sound creation app with your favorite pedals and amps.The following is written by Eli Crews from TapeOp Magazine. The Reamp HP features both 1/4" and 3.5mm inputs, so you aren't limited to just Reamping tracks from your audio interface. You can even assign stereo tracks to the Reamp HP and sum them down using the dedicated mono switch on the device. ![]() Simply assign the track you want to Reamp to the right channel of your headphone output and you're ready to feed guitar, bass, or even vocal tracks through your amplifier to record and experiment with new tones and settings. The Reamp HP is designed to accept the signal from the headphone output jack on your interface, making it incredibly easy to connect on the fly without having to repatch cables or dig around behind your studio desk or equipment rack. The Radial Engineering Reamp HP takes the signal from a headphone output jack on an audio interface or a mobile device and converts it to feed mono guitar amps and effects pedals for Reamping.
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